Kim Boram, a bearded man who has been highly active since 2007, is art director and choreographer of the Ambiguous Dance Company. Against the backdrop of a wide variety of dance genres, such as contemporary dance, hip-hop, street dance and ballet, Kim presents a new perspective on contemporary dance. Kim has returned to ‘Sound Before Music’ and ‘Body Before Dance’ to make choreographic attempts with unique musical interpretations, and these new attempts enable closer and deeper communication with the audience in the harmony between specific music and dance.

Recently, Kim collaborated with the band LEENALCHI for the song Tiger is Coming and worked with the Korea Tourism Organization to produce promotional videos, which has led him to communicate more actively with the public. Currently, Kim is working on presenting his new work along with the performance of repertoire works, and seeks to remain active in various fields. His leading works include Coexistence, Body Concert, The Rhythm of Human, Fever, Breathe, and Thoroughly and Desperately.

Kim Seoljin, who was selected as the MVP in Mnet's entertainment program Dancing 9 (Season 2) and evokes a contemporary dance syndrome, won a special prize at the National Dance Competition in 2003 for Lucifer and won the grand prize in the dance category for Carnival of the Animals at the CJ Young Festival in 2006. In 2007, Kim was selected to perform for the free youth special dance performance of the Seoul Arts Center to showcase Three Stories and a Reflection. Kim has been working at the Belgian Peeping Tom Dance Company since the winter of 2008. Since 2014, Kim has been active as art director at his Mover Dance Company, and his recent choreography works include Dust Knot, Hi and Bye, Making Bolero, The Room, MARRAM and Japari.

Lee Kyungeun, a choreographer who is strutting the world stage with unique dance ideas and tremendous stage manners. In 1996, Lee won the Rookie of the Year Award with her debut work Wavering Heart, promptly rising to the stardom as ‘a new rebel in the Korean dance circle.’ Subsequently, Lee was also selected as the ‘most promising next-generation choregrapher’ at the age of 29 in a ‘survey on the masters in the dance category’ published by the Dong-A Ilbo in 2003. For 20 years since 2002, Lee has remained attentive to her daily life as an art director and presented a new perspective. Lee is an outstanding choreographer who has raked in a number of prestigious dance awards at home and abroad since 1996 to this date in recognition of her choreographic skills demonstrated through more than 60 masterpieces.