Supposing that the stories of goddesses who were the bridge between humans and nature and the incantation of the body came to an end due to phallogocentrism, what should the next story be?
Mythical keywords like menstruation, bisexualism and death which are built on bodily phenomena are weaved into the story of performers while the future is overwritten on the text of the past.
It is an imagination of a space of reproduction based on synaesthesia and kinship stimulated by feelings of the inner body and storytelling.

The Death of Vagina: Myth-making Voices carries on The Death of Vagina, a premiere production for the 2015 KNCDC Archive Platform. The piece starts from rereading the myths of goddesses that have changed or disappeared in history. It links the stories of “goddessness” that exerted mystical powers in a magical society to the experience of the body, the unconscious, dreams and different forms of sexuality of contemporary women. In this work, we see myths as communal stories including questions about the lives of multiple layers of time and space, shifting away from the view that they are fixed heroic epics. Therefore, we attempt to imagine the future while overwriting the present on the past as an author of a myth which has continued to be written.

Can life itself be a performance? If our performance forms our identity, what will happen to the status of performers performing something on stage? What if some people repeat things they have routinely done on stage?

In We are, which premiered in Salzburg in 2020, Kang Yochan explores the identity of performers with a unique status. Overlapping the movement mediated on the stage with the conditions of reality, the choreographer questions the relationship between performance and identity. An ontological question about performers further makes us reflect on all of our existences who are performing certain roles given to us in real life. Questions arising in the process of blending the matters of complicated identity such as generation, gender, occupation, religion and race with the language of the body and senses. Therefore we are... No, we are?