KNCDC 2026 SEASON

Where is the body situated within medical technology? Doubts and questions directed at a body that appears to have been pushed to the margins reveal that, in clinical settings, the body can never be reduced to a single model but instead constitutes a field of multiple forms of existence. What I Sense in the Matter, which has undertaken an in-depth exploration of the body, technology, and the body as a site of multiplicity, has been acclaimed as a remarkable work that repositions the body from a posthuman perspective. In 2025, it received the Grand Prize in the Dance category at the 12th E-Daily Culture Awards, while also drawing unprecedented attention from the science and technology community. The work begins from the relationships the body has formed with the material, social, and political elements that constitute assisted reproductive technologies. By focusing on the highly specific and concrete bodily situations in which technology is enacted, it reveals the forms of technological practice through which technology and the body mutually constitute one another. Moving beyond the notion of the body as a singular entity bounded by the surface of the skin, the work explores an ontological choreography of the body as a site and source of technological execution—one that unfolds through its entanglement with science and technology.